Showing posts with label Jacopo Barbarigo. Show all posts
Showing posts with label Jacopo Barbarigo. Show all posts

08 January 2014

What happened to the archons?


Probable representation of an archon, 
Andreas Pavias, Crucifixion, late 15th C.



Archons essentially disappear in 1460 with the Ottoman conquest. The term was used for Greek merchants and the more-privileged Greek citizens of Venetian terre, there were no archons in the Byzantine sense in the Venetian territories, before or after 1460 -- with the exception of an Andronikos Palaiologos, and though the Venetians never granted that title, records indicate that he behaved in the autocratic, anarchic tradition of the previous generations of archons.

What archons we can trace in the Morea after 1460 are the men identified by Venetians as capi, or kapetanioi. Recall that Mehmed called Kladas re'is (head, capo -- archon). It is probable that Petro Bua, the Rallades, and the other archons who moved into the Ottoman system also received that title. The letters of the Venetian, Jacopo Barbarigo, provveditor-general of the Venetian military in 1464-65, describe elements of the transformation of the archon class into a mobile and salaried professional military class which came into its full flower in late fifteenth- and early sixteenth-century Italy with Theodoros Palaiologos and Mercurius Bua.

A comparison of the list of twelve archons who gave allegiance to Mehmed, with Barbarigo's lists, makes the change clear. Twice Barbarigo lists men who he says are the leading men of the Moreahomini da conto, zentilhomini, i molti principali, le persone de i condition – for a total of 22 names half Albanian, half Greek. The small number of names is striking. Where are the rest of the archons? Doukas gives a straight-forward explanation as of 1460:
After taking all of the Peloponnesos, the tyrant installed his own administrators and governors. Returning to Adrianople, he took with him Demetrios and his entire household, the palace officials and wealthy nobles from Achaia and Lakedaimonia and the remaining provinces. 

Rallis, Bua, Kladas, and others reappear by 1462 or 64: they were neither taken away nor killed off. But this removal, combined with emigration, is a reasonable and efficient way to explain the remarkable disappearance of what appears to be very nearly a whole class of people. Meanwhile, in the Morea Mehmed installed not only Turkish administrators and governors, but men of quality he had acquired in previous conquests. The list of timar holders includes a Russian, an Albanian, two men from Ioannina, brothers from Thessaly, and individuals from Lamia and Veria. With a very few exceptions, we lose sight of those Moreotes who might have been absorbed into the Ottoman land-holding system in the Morea. 

Outside the Morea, we know of only two Moreote archons: Matthaios Asan, kefali of Corinth who surrendered Corinth and arranged for the surrender of Mistra, was given Ainos, and a military command in Mehmed's Bosnian campaign. His brother-in-law Demetrios Palaiologos, former Despot of the Morea, was given Imbros and Lemnos, and half of the income from Thasos and Samothraki -- a total of 300,000 aspers annually, plus another 100,000 aspers from Mehmed's treasury.

Barbarigo calls the men on his lists stratioti, and says that their support will guarantee Moreote support for the Venetian effort. Since he calls them both kapetanioi, and stratioti, it is not clear what he understands by stratioti. Twenty years later, stratioti had become the general term for Greek and Albanian horsemen on contract and their leaders provisionati but within the Byzantine system, stratiotai were the men who held pronias, or what the Venetians called provisioni

What we see is a certain number of large families – Kladas, Bua, Rallis – who formerly had authority over large areas of land and taxpayers and troops, continuing within the Venetian system where they primarily commanded bands of troops. This was wartime and the land they had previously held was for the most part changing back and forth between Venetian and Ottoman control. Most of the land in the small Venetian territories -- Methoni, Koroni, Nauplion, Monemvasia -- was rented out for growth of cash crops. Some was used as payment for for stratioti where they farmed and kept their horses -- they were responsible for their own food supplies and equipment. Thus a small number of the landholding class became a professional salaried military class within the Venetian system. With the Ventian conquests early in the war, a few kapetanioi had taken over control of various areas. Manuel Rallis, followed by his son Michaeli, had taken over Chlemoutsi and Clarentza which had formerly been under the control of George and John Rallis, their relatives and first-cousins of the despots. The more specific records are of landholdings in Mani.

After the Kladas revolt, with no war at hand, the Venetians had to keep the kapetanioi pacified. This is illustrated over and over in the letters of Bartolomeo Minio who reports his helplessness when kapetanioi seized extra land they were not supposed to have, and then refused to pay taxes. The kapetanioi continued the anarchic tradition of the archons but they still needed cash and a protective umbrella. That is what they kept saying – they wanted to be under the shade of Venice, but they really wanted to do what they wanted to do when they wanted to do it. Similar pacification of certain Cretan archons, such as the Kalergis family, had been necessary for two hundred years.




12 April 2013

The leading men of the Morea

Detail, Klontzas, Passion

The earliest documentary evidence for Krokodylos Kladas seems to be a letter from Jacopo Barbarigo of 25 July 1465. It is true that Sphrantzes wrote about him in terms of 1460, but Sphrantzes was writing after 1472 when he became a monk.

Barbarigo was provveditor general of the Italian troops in the Morea for a year of the Ottoman-Venetian war. Eighty-seven of his letters survive, written betwen 5 June 1465 and mid-March 1466, and they can be found starting on page 1 of volume 6 of Sathas here.

Twice Barbarigo gives distinct lists of the men who he says are the leading men of the Morea – homini da conto, zentilhomini, i molti principali, le persone de i condition. Combining the two lists, in their spelling, we get:
Petro Bua
Alexio Bua
Gini Bua Protostrator, Isaac Paraspondylos
Michali Rallis “principal homo de questa Amorea”
Michali Rallis Drimi dal Granzas [Graitzes]
Peregrino Busichi & his brother
Matheo Sfranzi [Sphrantzes]
Epiphani & Corcondilo Clada

A few other names can be collected from various Barbarigo letters:
Comes Glava
Comes Comnino
Comes Megara
Nikolaos Boccali and brother
Manoli Clada
5 Manessi kapetanioi
Silas and Zorzi Busichi, principali de Busichi
Ioannis Menaia

 The three counts are not from the Morea,  Komninos and Glava are brothers, from the north side of the gulf of Corinth, and I suppose the Count of Megara is from Megara. They all seem to disappear from the records.
 
Barbarigo calls the men on his lists stratioti, and says that their support will guarantee general Moreote support for the Venetian effort.  He also calls all the Albanian and Greek horsemen stratioti: stratioti was the general Venetian term for the non-Italian soldiers with horses.  In his first letter he says, "Isti paesani sint potentiores gentibus Italicis" -- "These peasants are more effective than the Italians."  The stratioti had certain advantages: their dress and horses were better suited to the climate and the terrain, they already knew the mountain routes, and their numbers had not been debilitated by plague.

Within two months of Sigismondo Malatesta's arrival in the Morea in August 1464 as commander of "crusade" forces against the Turks, 1500 of his 7000 soldiers were dead of the plague, peste, they had brought from Ancona, and by the end of the year only 2,500 remained. He and many of the living were ill. Between October and December, they had walked from Methoni to Mistra to Nauplion, then back across Laconia to Messenia, a formidable mechanism for transmitting plague, and famine, across the heart of the Morea. Plague not only kills, but it leaves survivors physically debilitated and depressed, and sometimes blinded. A number of Barbarigo's letters describe Malatesta's profound depression, as well as his physical weakness.  Barbarigo reported massive losses in the Italian companies – more than 200 dead out of a company of 500, 200 out of 400. The Ottoman army was also severely affected, and whatever original number Omar-Bey was supposed to have had – 3,000 or 8,000 – it was down to 1500 in June 1465.  

Stratioti were auxiliary forces in 1463, and the provveditor of 1464 was directed not to hire them, but  the losses to plague made them essential.  We see Barbarigo trying to persuade the Venetian senate to allow him to give provisioni - pronias -- to the leading men so they would be available.  These provisioni were, for the most part, in cash rather than land, although landholdings can be tracked in the letters. A number of these are the landholdings that were later lost in the Kladas revolt. There was a problem with the cash provisioni, however, in that Venice had not sent out any actual cash for two years, and we find most of these men paying their own soldiers and financing the Venetian effort themselves.

One of the things we see in Barbarigo with Kladas, Rallis, Bua, and the others is the change of the archon class to a military class, from a landholding and sometimes-fighting culture, to a culture of mercenary soldiers.  In the next generation -- Petro Bua's nephew Mercurio is the most famous example -- some of them become condottieri.   In the five years since the final surrenders of 1460, nearly a whole class, with the exception of those on Barbarigo's lists, essentially disappears from the records. Some of those on Barbarigo's list had gone to Corfu with Thomas in 1460, and had returned for the war.  Some were killed in the fighting of 1460.  Two or three were executed.  Quite a few were exported, as Doukas says:   
After taking all of the Peloponnesos, the tyrant installed his own administrators and governors. Returning to Adrianople, he took with him Demetrios and his entire household, the palace officials and wealthy nobles from Achaia and Lakedaimonia and the remaining provinces. 
Certainly some were assimilated into the Ottoman system: Kladas nearly was, except that the "crusade" against the Turks was said to be going to put Thomas Palaiologos on the throne of the Eastern Empire, and that would be centered at Mistra.  Kladas had been loyal to Thomas till the end, and after he escaped from Mani and his failed revolt, he joined Thomas' son.  

Hiring stratioti made language problems for Barbarigo, and he needed to find people to serve as paymasters and record-keepers who could write and speak Greek.  And he had to persuade Venice to provide salaries for them.  He  found a Venetian, an Andrea Corner, who had served his predecessor as an interpreter and secretary, and a Zuane da Ponte.  He thought he should pay Andrea 5-6 ducats a month (there were 10 months in the pay-year) but there was no documentation authorizing pay.  So he found a boy who could stay in his tent, and decided to pay him by skimming the stratioti pay, but since the stratioti were not getting any pay, it was all theoretical.










16 October 2012

Stratioti, numbers, horses

Chesepritri* off the coast of Candia, south of Tolo. 
Mid-16th C, redrawn 18th C.

From the Bibliothèque Nationale, Paris, identified as Poros.
What Albanian word would the French have heard as Chesepritri?  

In January I wrote an entry about how the number 6000 became the definitive number whenever the troop strength of the Morea was estimated.  This works very well, if you take some simplistic calculations.  Sphrantzes said that there were 30,000 Albanians.  Assume half were males, 15,000.  Evidence from various population groups in medieval and pre-modern Greece suggests that from 37-54% were under the age of 14, or 5550-8100.  That  is a very wide range, from 9850 down to 6900 adult males, and if you consider the ones too old or too injured to fight, or those needed to keep an eye on the settlements and herds, 6000 is quite reasonable.

There is one other estimate of stratioti numbers in the Morea to consider.


Chesepritri is the green island, farther down the coast than this suggests. 
The blue is Ropolı/Romvi, the red Daskalo in the bay off Tolo.
Nauplion upside-down. Piri Re'is, 1574 edition of 1520s map. 
Piri Re'is's islands should be rotated 90 degrees clockwise.


In 1465, Jacopo Barbarigo (in charge of Venetian forces in the Venetian-Ottoman war in the Morea) said that the territories of Methoni and Koroni could only support about 150 horses each -- he was having a difficult time getting feed for the stratioti's horses, and many had starved to death.  Although he was stationed in upper Mani, he had to keep most of his forces up in Nauplion territory.

He said he had a total of 1500 stratioti, in addition to the Italian troops. He estimated that there were between 2000 and 3000 stratioti fighting with the Ottoman troops. This would be a total count of 3500-4500 stratioti in the Morea.  What happened to the other 1500-2500?


Στὸ βουνὸ would be my guess, assuming there had been about 6000 earlier.  The Ottomans are only recorded as having one battle in the field with stratioti, and that was in 1423.  Barbarigo gives accounts of one side coming upon the other en route, or an occasional ambush, but all other accounts concern sieges and raiding the countryside.  Stratioti, with horses, did not think much of sieges, from either side.


 Chesepritri more accurately located by GoogleMaps,
triangular plain of Canda right, Nauplion upper left.  


In the Nauplion area, the stratioti had been given the land at Aria and Candia, in the flat triangular plain south-east of the coastal mountains and the narrow road past the bay of Drepanon. (The area produces artichokes today.)  In theory, and following the Byzantine system, stratioti had land on which to support themselves and their families, and otherwise they were paid in loot.  In practice, as Minio found in the summer of 1480, stratioti could not collect their harvest and then pay their harvest taxes, if they had to be armed and on full alert for an Ottoman attack just at harvest time.  Or, as Barbarigo kept trying to explain to Venice, stratioti could not feed themselves if they had been away from home for three years and were always on the move. (For more on stratioti pay, here.)  

This gets us to Chesepritri, the large island in the bay between Tolo and Candia.  The French map emphasizes pastures which are difficult to have confidence in looking at the aerial map of the island.  I do not know how many farm plots and how many horses the plain of Candia could maintain.  This site on horses suggests 1 1/2 acres of good pasture land -- 6 stremmata -- dung-free, per horse.  So I suspect that Chesepritri's pastures provided a home for some of the stratioti's horses, probably the mares and foals, as the others would at times be needed immediately.


Chesepritri itself, showing that the 16th-C map was not too far off.  
Modern houses in just about the same locations, some pasture areas.

* Thanks for the Chesepritri map to Pavlos Plessas, himself from a stratioti family known at the time the original map was made, the Blessi.

28 July 2012

The Frescos of Longanikos

Main street, Longanikos.

Longanikos is a wonderfully severe town, with massive stone buildings and ruins on the steep hillside above and below the narrow main road. It was noted in a list of fortresses controlled by the Venetians in 1463, at the beginning of the long war with the Ottomans.  It next appears two years later in the letters of Jacopo  Barbarigo, provveditor of the Morea, in his reports to Venice. Barbarigo reported Longanikos under siege in mid-September 1465, then he had a letter from Epiphani Kladas, podestà at Vordounia, saying that the Turks had left and gone to Leondari.  The next day a sad and exhausted group of men arrived at Barbarigo's headquarters at Mantinea, on the coast of Mani just south of Kardamyloi.

Michaeli Rallis and his brother, Nikolaos Bochalis and his, Manoli Kladas, and Zuanne Gavala, podestà of Longanikos, and a group of twenty representing the town, came to say that they had defended Longanikos as long as they could.  They had given over 10 of their sons as hostages, so the siege would be lifted.  Their houses had been burned, their possessions destroyed, and Longanikos was going to starve.  Barbarigo did what he could for them out of his limited resources -- a little cash, some cloth and grain, and enrolled them in the army at one ducat a month. He also gave them a letter of appreciation on behalf of the Signoria, written in Greek.

All I knew of Longanikos was the facades of the houses on the main street, and this story.  So I was delighted to come across a book, Les Peintures Murales Byzantines des Églises de Longanikos (Athens 2002) by Olympia Chassoura who presents the exceptionally lovely frescos in Longanikos in three unprepossessing little churches.  Two churches' frescos date from 1375, towards the end of the despotate of Manuel Kantakuzenos and Zampia/Isabella of Lusignan, while the frescos shown in the third date from about 1430 in the despotate of Theodoros II Palaiologos and Cleofe Malatesta.  These names are for the convenience of placing the frescos in a historical time-frame: there is no evidence to associate the frescos with the rulers.



Ag. Giorgios, Longanikos.



Church of the Dormition, Longanikos.




North facade, Ag. Apostoli, Longanikos




Ag. Giorgios, Deisis




Ag. Apostoli, Deisis



The majority of the frescos are from Ag. Georgios.  Unfortunately, most of the pictures in the book are printed in low-grade black-&-white, and details are difficult to make out. I regret not being able to see the Dormition's Virgin in color.  But what can be seen in the color photographs indicates the selection of a remarkably subdued color palette -- here one might wonder about the economics of color choice, unfamiliar iconography (the torture of Ag. Georgios, below), and exceptionally tender presentations of the human form.  In fact, the Prophet Ezekiel (below) is the only huggable prophet I have ever encountered.

The frescos at Longanikos can be demonstrated to be by the same painters who worked onAi Yannis and the Aphendiko at Mistra, and Ag. Nikolaos at Zarnata.  The Ag. Georgios frescos are dated 1374/75 (6884) in an inscription, those of Ag. Apostoli a year or so later, while those of the Dormition are from the 1420s.

Archangel Gabriel (det.), Ag. Giorgios 1374/5


 Torture of Ag. Giorgios, Ag. Giorgios,1374/5.



Dragon narrative, Ag. Giorgios, 1374/5 


 Princess and dragon, Ag. Giorgos, 1374/5




The Prophet Ezekiel, Ag. Giorgios, 1374.5. 



Ai. Blasios & Prochoros, Ag. Giorgios 1374/5



 

  Ai Theodori, Ag. Giorgios, 1374/5



 The Apostle Paul, Ai. Apostoli, 1375



The Baptism, Ai Apostoli, 1375  




Nativity, Ai Apostoli, 1375  



Metamorphosis, Church of the Dormition , ca. 1430




Dormition of the Virgin, Church of the Dormition, ca. 1430


Virgin and Child, Church of the Dormition,ca. 1430

17 September 2008

A Fate Worse than Death

Rossini's opera, The Siege of Corinth--L'assedio di Corinto, is not an experience to be undertaken lightly, say, the way one would go blithely to one's seventeenth or twenty-seventh performance of Barbiere. Even when it was written, in 1820, audiences stayed away in droves, possibly because it was entitled Maometto II, somewhat lifted from someone else's opera, and possibly because it was pretty awful.

Maometto told the story of the 1470 siege of Negroponte and its capture from the Venetians, but even in Venice--or especially in Venice--it was not much appreciated. The story is vaguely that of Anna Erizzo, daughter of the Venetian commander, with whom the tyrant -besieger, Maometto
(brooding operatic portrait to the right), becomes smitten. Anna Erizzo's story filled Venetian propaganda after the capture, and she was said to have taken her own life rather than submit to his brutal lusts. (It may or may not be of interest to note that rape is not reliably recorded among his more unattractive characteristics.)

It is true that after the capture of Negroponte, the women, children, and boys under the age of 18, were taken off as slaves, but there never was an Anna Erizzo. The Venetian commander Paolo Erizzo was killed before dawn on the final day of the siege. All men of military age, about eight hundred, were beheaded after the capture. More had been killed, a few escaped. The loss of the women and children was its own tragedy, and documents survive of men like Eustachio who, although able to track down and ransom his wife and some of his children, was grieving ten years later for the two daughters still missing. But with the exception of
Dialogues des Carmélites, tragedy in opera is not like tragedy in real life and Anna needs little sympathy.

Six years after Maometto flopped, Rossini reissued it in French, and with ballets, as The Siege of Corinth (which Maometto had beseiged, briefly and without violence in 1458). It was an immediate hit. Europe had been following the 1826 siege of Messolonghi (where Byron died of malaria in 1824) and the massacre there of the women and children who had tried to escape. There had also been the 1822 siege and massacre at Chios.

A couple of passages from the Baltimore Opera program illustrate the general tenor of the opera.
Anna and Paolo Erizzo have become Pamira and Cléomène. It begins:
In the vestibule of the Senate palace, the men of Corinth are ready to defend their city (“Signor, un sol tuo cenno”), but Cleomene, the governor, tells his people that their situation is hopeless: the Turk Maometto II refuses to relent in his siege of the city (“Del vincitor superbo di Bisanzio”).

and ends:

As the men march off to fight, Pamira and the women pray again, readying themselves for death (“L'ora fatal s'appressa”), even as the Turks are heard exulting in victory. Maometto enters triumphantly hoping at last to gain Pamira, but she threatens to kill herself if he approaches. With a roar, the building crumbles, revealing the city consumed in flames, as the Turks slaughter the people of Corinth .

This time the opera worked, audiences wept in droves for tragic oppressed Greece, and everyone, especially Rossini, was quite gratified.

We were in Negroponte the other day, now Halkis, trying to identify aspects of the siege. In the years before and after 1900, the city fathers of Halkis went to uncommon trouble to eliminate all traces of medieval fortifications, and it is now difficult to envision what must have happened. With one exception:

Looking to the north, you can see where Nicolò da Canale sat with the Venetian fleet that August, out of danger, but not out of the sound and sight of the besieged. Mehmed-Maometto was besieging Negroponte as vengence for da Canale's stupidly gratuitous siege and massacre of Ainos in 1468. But da Canale's Negroponte behavior duplicated what happened earlier, when the Venetian fleet waited off-shore at Patras in August 1466 and so enabled the slaughter of Jacopo Barbarigo and his troops, and the impalement of Michali Rallis.